THE SKETCHERS AT DAWN — Immersive Exhibition of Modern Art in Taiwan
微光中的寫生者：臺灣近現代美術沉浸展
主視覺設計
主辦單位｜臺南國家美術館籌備處
策展單位｜朗敘設計 × 臺南國家美術館籌備處
美術設計｜NaN Design
展場攝影｜李阮修
展覽工程｜樂誠創意、黃小哀、陳昱榮
特別感謝｜呂雲麟紀念美術館、李梅樹紀念館、財團法人陳澄波文化基金會、財團法人創價文教基金會
臺南國家美術館籌備處開館首展「微光中的寫生者」由朗敘設計策展統籌。取「寫生」為題，以「景點、光影、色彩、視角」四個面向鋪展，運用當代技術結合聲音與影像藝術，重構臺灣近現代藝術的觀看體驗，讓觀者以全新視角進入風景。
主視覺重新思考寫生的本質，擷取臺灣代表性風景—雪山山脈聖稜線，將風景的「觀察」與「復現」以現代手法新詮釋，被寫生的對象重組為變動中的視覺意象。畫框缺失的景色象徵藝術家的介入，也彷彿正向觀眾提出邀請，與藝術家一同漫步荒野與城市。
The inaugural exhibition of the Tainan National Museum of Fine Arts Preparatory Office, THE SKETCHERS AT DAWN, is curated and coordinated by Brightext. Taking sketching as its central theme, the exhibition unfolds through four dimensions—sites, light and shadow, color, and perspective. By combining contemporary technology with sound and moving-image art, it reimagines the experience of viewing modern and contemporary Taiwanese art, inviting visitors to encounter landscapes from an entirely new perspective.
The key visual reconsiders the essence of sketching, drawing inspiration from one of Taiwan’s iconic landscapes: the Sacred Ridge of the Xueshan Range. Through a contemporary reinterpretation of the acts of observing and recreating landscapes, the subjects of sketching are reassembled into dynamic, ever-changing visual imagery. The scenery missing from the picture frame symbolizes the artist’s intervention, while also extending an invitation to visitors to wander alongside the artists through the wilderness and the city.
主視覺重新思考寫生的本質，擷取臺灣代表性風景—雪山山脈聖稜線，將風景的「觀察」與「復現」以現代手法新詮釋，被寫生的對象重組為變動中的視覺意象。畫框缺失的景色象徵藝術家的介入，也彷彿正向觀眾提出邀請，與藝術家一同漫步荒野與城市。
The inaugural exhibition of the Tainan National Museum of Fine Arts Preparatory Office, THE SKETCHERS AT DAWN, is curated and coordinated by Brightext. Taking sketching as its central theme, the exhibition unfolds through four dimensions—sites, light and shadow, color, and perspective. By combining contemporary technology with sound and moving-image art, it reimagines the experience of viewing modern and contemporary Taiwanese art, inviting visitors to encounter landscapes from an entirely new perspective.
The key visual reconsiders the essence of sketching, drawing inspiration from one of Taiwan’s iconic landscapes: the Sacred Ridge of the Xueshan Range. Through a contemporary reinterpretation of the acts of observing and recreating landscapes, the subjects of sketching are reassembled into dynamic, ever-changing visual imagery. The scenery missing from the picture frame symbolizes the artist’s intervention, while also extending an invitation to visitors to wander alongside the artists through the wilderness and the city.